writing post the Shanghai biennale.
By working in hidden spaces in the Power Station of Art and a huge wall corner, the two different spaces led to two different thinkings.
The huge wall corner expanded what could be a drawing with space, or drawing within a space. What was interesting was that I could experience a sense of moving away from a vanishing point, horizon line and how the eye sees.
hidden spaces in the Power Station of Art meant layering in the midst of so much. layering doesn’t resolve anything but could be seen as a response to the space.